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It begins in anise
these things we call homes skins & plywood, insignificant fabric minor tones that sing inside our heads. Paper bags filled with artichoke, papaya a loud humming. The beginning was small of failed namings forget-me-nots splashing petals down our throats. The weeds grow in thicker next to the highway a warning or a slow glowing. Mornings seem like ours, quite quiet white nothings. We push strollers loaded down with cans of black-eyed peas. The road keeps being black. A strip of licorice. A long lonely taste.
The Days
when I forget my name, I call myself yellow. A shade of glisse, a smooth former edge. In the mirror, a marimba with china red hair, alabaster neck that seems like yesterday. I bend, crooked and long. Reach my fingers out the frosted window to the pigeons on the roof. The cooing is what I hear before I sleep at night, when I wake in the dark. I think "someday I will know that I wanted edgy shins" or "then we will all have bird baths and smoky doves". But I know that there will always be mornings, feathers that hurt, and small voices that call me mother.
(again) Another Day
after Brigitte Byrd
Like the one before but blacker and with less familiarity. The boy seemed the same. But how could she know. He played tricks on her with alarming consistency. Sometimes a lovely tooth. A star. A bit of fruit. Other mornings there were bells and knuckles that mocked like the sea, a temptation of white wicker and rivulets in the sand, good boys that kissed their mothers at night. So she said goodbye to her markets, her cracked bricks, the birds that lived under the roof. As she left they threw bits of string and called out to her, the echo of a cuckoo buried in the falling snow. |
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